Axa 'Hospital' 'Mechanic' 'Tornado'
Rory Kelleher and Glassworks continue their extremely successful partnership with these beautiful spots for AXA worldwide.
Stunningly shot on location in Spain and Canada the AXA red line acts as a metaphor illustrating the life changing benefits their insurance can offer you.
In each commercial we see the landscape spin 180 degrees to reveal a positive alternate world and ultimately a brighter future. In order to show perspective changing during this transition, Glassworks developed a proprietary technique. This used simultaneous footage from multiple live action cameras, blended and mapped ont ...
Stunningly shot on location in Spain and Canada the AXA red line acts as a metaphor illustrating the life changing benefits their insurance can offer you.
In each commercial we see the landscape spin 180 degrees to reveal a positive alternate world and ultimately a brighter future. In order to show perspective changing during this transition, Glassworks developed a proprietary technique. This used simultaneous footage from multiple live action cameras, blended and mapped ont ...
Guinness 'Area 22'
Our latest offering for Guinness is another collaboration between Rory
Kelleher
and Glassworks. Due to the sheer scale of the required environment it
was
decided early on in the production that the underground rugby training
facility
should be created entirely in 3D. The Glassworks 3D department lead by
the
veteran head of 3D Alastair Hearsum built the locations and the
training
machines, which were inspired by drawings from the amazing Wayne
Barlowe. All the
live action players were shot in neutral grey
amongst a forest of tracking markers. Additional 3D rugby players were
added
into the mid and backgr ...
Vision Express 'Expertise'
The Glassworks team has teamed up with the extremely
talented Mitch Stratten to create this arresting spot for vision express. The
process was a combination of the mother of all pre visualisation, a very
patient sound engineer, some pretty sophisticated electronics, a group of 15
long-suffering dancers and a whole lot of post production in a very short
time.
Mitch and the team worked exhaustively in prepping the instructions for each dancer before the shoot. These instructions were acquired from a pre visualisation created by Dan Yargici and Dan Hope that mimicked three key human movements. These instru ...
Mitch and the team worked exhaustively in prepping the instructions for each dancer before the shoot. These instructions were acquired from a pre visualisation created by Dan Yargici and Dan Hope that mimicked three key human movements. These instru ...
I Do Air
Everyone at Glassworks would like to congratulate Martina
Amati for her beautiful short I Do Air which won the Short film Bafta this
year. Graded by Ben Rogers and with visual effects by Aleks Ugarow in Smoke, Glassworks are very proud to have been involved.
